Click through to per-order via Amazon.
This arrived in today’s mail…
The same day that Dean’s Facebook page announced this is will now be the cover of the book when it’s released.
I must admit this is the first cover change post-ARC that I’ve ever experienced. I’m sure it’s happened before to some book somewhere but it’s definitely rare.
Early in August my wife and I took an epic road trip from Nebraska to New York, to New Jersey, to Pennsylvania, to Missouri then back home. Along the way we met old friends, possibly got filmed as part of a reality TV show, and did a lot of quilt and book shopping.
When cruising through Pennsylvania, I wondered out loud where Shippensburg, PA was knowing full well that the university library there had copies of The Reflector in their archives containing Dean’s earliest published works. My wife looked it up and she said it was about 30 minutes away. What I thought she meant was it was 30 minutes off our route which would add an hour of travel time (plus the time spent at the university) to our trip and at this point of the trip I wasn’t looking to extend my driving that much. No, she corrected me, it’s about 30 minutes ahead of us on our current route, and just 10 miles off the highway. Well, that changed everything!
Next up was a call to a long-time acquaintance of mine, a fellow librarian on the campus. (Turns out he’d recently become the head of the library. Yes folks, personal networks come in handy.) He have us directions and made it to campus a short while later.
Our first stop was in the university archives to check out issues of The Reflector. I’ve had photocopies of Dean’s content for years, but to actually hold the issues in hand was a bit of an experience.
The next step was to verify something I’d already suspected. Dean did appear in the 1964 campus yearbook (I own a copy) but I did not know if he appeared in the ’65, ’66’ or ’67 (just for good measure) yearbooks. Those were brought out for me and I got to take a look. Theory confirmed, he’s not in there.
I was then asked if I wanted to see the Koontz items in special collections. I believe my response was literally “duh.” Turns out the library created the “Dean R. Koontz” collection a few years back containing the personal collection of OI. Richard Forsythe, Dean’s favorite English professor from his time on campus.
The library also kept material from a display put up for when Dean was back on campus years ago to give a talk. (I forgot to ask what year that was when I was there.) Here’s just one of the pieces from that display.
As if this visit hadn’t been exciting enough, I was then asked if I wanted to see the box of correspondence and other things. At this point I was pretty much babbling. Again here’s just a sample of the content of that box:
Like I said, the photos here are just a sample of what they had. I took many more, but I’m saving those for later. Needless to say, this happy accident was amazing and the staff of the library were nothing short of gracious, helpful, and understanding of my excitement especially Melanie Reed who I look forward to working with the future regarding their collection.
Filmmaker Tobe Hooper, best known for The Texas Chain Saw Massacre, has died, according to Variety and other news sources. He was 74.
Born in Austin, Texas, Hooper made his first feature, Eggshells, in 1969, an odd, experimental film that is allegorical and, more than that, spacey and trippy. But it was The Texas Chain Saw Massacre that made him (in)famous. Long before I saw it, I remember reading a newspaper article in Los Angeles about a big, tough college football player who vomited during a screening and thought: ‘that’s a movie for me!’
Its horrors, of course, were more shocking in contrast to its era. Even as Hollywood was becoming (briefly) more serious about redefining mainstream filmmaking, Hooper and his colleagues painted a disarming picture about a house in rural Texas that looked bucolic on the outside, hiding truly unimaginable horrors within.
The film became a sensation and a foundation for horror movies to come. Hooper never escaped its shadow, but neither did Orson Welles escape the shadow of Citizen Kane, so it was not entirely a bad thing. Eaten Alive was a charming crudity about another hungry killing thing, Salem’s Lot was an acceptable if rudimentary TV version of Stephen King’s novel, and The Funhouse was a solid slasher.
Read the full article @ Screen Anarchy.
Koontz, Dean “The Whispering Room: A Jane Hawk Novel”
Previous estimated arrival date: January 09, 2018
New estimated arrival date: November 21, 2017
Some news & a correction:
According to Charnel House:
“Both states of BLACK RIVER, I’ll Be Watching Over You by Dean Koontz have been shipped. When Dean ends this series of novellas and novelettes Charnel House will issue a slipcase to house the entire series. There are few copies remaining of this title still available for purchase. Order now to own the first book of this series, you can then retain your number for the series.”
Shown right are my numbered edition and a friend’s lettered.
Regarding the lettered edition, my friend isn’t all that happy with it…
“Lettered Black River. . .MASSIVE disappointment. I paid $900 for this, it’s bound in 3/4 leather but otherwise identical to the numbered, no traycase, no slipcase even, no bonus material, nothing. It probably didn’t cost them much more to make and he’s charging $900 per copy.”
I only have a few Charnel House lettered edition personally, mostly due to cost, but I’ve been happy with every one of them. In this case, I might have to agree.
Lastly, the correction:
Black River: I’ll Be Watching Over You is not a sequel to the original “Black River” novella from 1999, it is “Black River” just re-titled. The future novellas in this series will be the sequels.
Amazon.com has The Whispering Room, the second Jane Hawk novel & sequel to The Silent Corner, up for pre-order with a release date of 9 January 2018. Both HC and Kindle editions are available.
Jane Hawk—fiction’s most relentless, resourceful, stunning new heroine—continues her battle against a murderous conspiracy in the riveting sequel to The Silent Corner.
“No time to delay. Do what you were born to do. Fame will be yours when you do this.”
These are the words that ring in the mind of mild-mannered, beloved schoolteacher Cora Gundersun—just before she takes her own life, and many others’, in a shocking act of carnage. When the disturbing contents of her secret journal are discovered, it seems certain that she must have been insane. But Jane Hawk knows better.
In the wake of her husband’s inexplicable suicide—and the equally mysterious deaths of scores of other exemplary individuals—Jane picks up the trail of a secret cabal of powerful players who think themselves above the law and beyond punishment. But these ruthless people bent on hijacking America’s future for their own monstrous ends never banked on a highly trained FBI agent willing to go rogue—and become the nation’s most wanted fugitive—in order to derail their insidious plans to gain absolute power with a terrifying technological breakthrough.
Driven by love for her lost husband and by fear for the five-year-old son she has sent into hiding, Jane Hawk has become an unstoppable predator. Those she is hunting will have nowhere to run when her shadow falls across them.